Spotlight on Edward Davis Wood, Jr. (1924-1978)

James Francis, Jr.

Ed Wood was an American director of B-movie films that pushed the limits of creativity for low-budget filmmaking. His notable works, usually labeled infamous for their quality, featured pulp-fiction (no, not that one) crime scenarios, SF horror storylines, and racy, controversial subject matter and depictions of gender, identity, and sex. Similar to some of the shocking subject matter of his films, many people reacted negatively to Wood dressing in drag and taking on the name of Shirley, a persona he would unapologetically present as while directing but whose presence caused rifts in his marriages over time. Wood often worked with Dracula (1931) star Bela Lugosi (1882-1956) toward the end of his film career and life; the friendship and working relationship between the two remains a site of controversy regarding Lugosi’s health and state of mind while working with the director. Wood’s heyday took a sharp turn in the late 60s when he transitioned into writing and directing soft-and-hardcore adult cinema and he never returned to making the B-movies of his earlier career. The legacy of Ed Wood lives on through reference and inspiration in the documentary It Came From Hollywood (1982), the biopic Ed Wood (1994) in which Johnny Depp portrays the director, and in contemporary filmmakers like John Waters whose own productions approach the same cult classic status and reverence as Wood’s early films. His representative works include: Glen or Glenda (1953), Jail Bait (1954), and Bride of the Monster (1955).dsdf

Let’s take a look at Wood’s 1957 SF horror film, Plan 9 from Outer Space (full film accessible via TAMU Kanopy https://www.kanopy.com/en/texasam/video/5916312).

Study Questions

To further a more in-depth understanding and analysis of the film, consider these inquiries:

Study Questions: Ed Wood

  1. How might we recognize the constraints of the Hays Code on the film?
  2. Historicize the film:
    1. What role might late-1950s America play in the film’s reception?
    2. How is the state of the nation (1950s America) or global perspectives for the time period reflected in the film?
  3. Plan 9 is classified as a SF horror film. What elements support its genre label?
  4. What does the film communicate about gender and/or identity through its characters?
  5. What other movies/TV series do you know that contain similar subject matter? How do they handle their stories in similar/different manners?
  6. How does Plan 9 reflect B-movie aesthetics and narrative content?
  7. Determine the tone and mood of the film based on its use of the camera (movement, angles, and types of shots).
  8. Make a case to argue Plan 9 is only a horror film or a science fiction film, but not both. What reasons and examples might you provide to support that argument?
  9. In what way(s) does the film medium connect the story to the audience opposed to a written work?
  10. Use the TAMU Libraries to locate secondary sources that examine Wood’s film.

SF Horror in Literature

  • The Island of Doctor Moreau (1896)
  • Who Goes There? (1938)
  • The Puppet Masters (1951)
  • I Am Legend (1954)
  • “I Have No Mouth and I Must Scream” (1967)
  • Christine (1983)
  • Sphere (1987)
  • World War Z (2006)
  • The Strain Trilogy (2009-2011)
  • The Girl with All the Gifts (2014)

SF Horror in Cinema

  • Forbidden Planet (1956)
  • The Incredible Shrinking Man (1957)
  • Attack of the Killer Tomatoes (1978)
  • Alien (1979)
  • V (1983-1984)
  • The Fly (1986)
  • The Hidden (1987)
  • Cube (1997)
  • Event Horizon (1997)
  • The Human Centipede (2009)
  • The Cabin in the Woods (2011)
  • The Platform (2019)

Attribution: Francis, Jr., James. “Spotlight on Edward Davis Wood, Jr. (1924-1978).” In Marvels and Wonders: Reading, Researching, and Writing about SF/F. 1st Edition. Edited by R. Paul Cooper, Claire Carly-Miles, Kalani Pattison, Jeremy Brett, Melissa McCoul, and James Francis, Jr. College Station: Texas A&M University, 2022. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

 

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Marvels and Wonders: Reading, Researching, and Writing about Science Fiction and Fantasy Copyright © by Rich Paul Cooper; James Francis, Jr.; Jason Harris; Claire Carly-Miles; and Jeremy Brett is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.