4.6–Spotlight on Nella Larsen and Passing

Frances Thielman

Biography: Nella Larsen (1891-1964)

Nella Larsen was born in 1891 in Chicago, the city in which Passing takes place. Like the two main characters of the novella, Larsen was of mixed race. Her mother was a Danish immigrant and her father a man of West Indian heritage. After Nella’s father’s disappearance, her mother married Peter Larsen, another Danish immigrant, and they had a daughter, leaving Nella the only person of color in her family. Nella kept some distance between herself and her white family members and did not have a warm relationship with them. As a young adult, she moved out of her parents’ home and enrolled at Fisk University, but was expelled, one biographer speculates, for violating the dress code.[1] Later on, she would enroll in nursing school and worked as head nurse at the Tuskegee Institute. She would resign from this position in 1916.

After marrying Elmer Imes, a physicist and one of only two African Americans with doctoral degrees in the field, Nella Larsen moved with him to Harlem where the two got to know many of the prominent figures involved with the Harlem Renaissance. The Harlem Renaissance was a period of artistic and literary creativity in the 1920s-1960s amongst Black intellectuals in Harlem, a neighborhood in New York City. Upon moving to Harlem, Larsen took a position at the New York Public Library, and began her career as an author. Larsen was a successful writer and published two novellas and several short stories that were well-received by her peers.

After many years of marital struggles, Larsen and her husband divorced in 1933. Soon after, her literary career came to a halt after she was accused of plagiarizing a short story. Though she successfully defended herself with the aid of her editors, she felt discouraged by the incident, and she never published another story again. Soon after, Larsen became withdrawn from her family and friends, eventually cutting all of them off and completely disappearing. After Elmer died in 1941, Larsen lost the alimony from the divorce, which forced her to go back to working as a nurse, and as far as can be determined, she gave up writing entirely. She died at the age of 72. However, though her long period of silence meant that she faded from the spotlight during her lifetime, her work was recovered in the 1960s, and she is now regarded as a major figure of the Harlem Renaissance, providing an insightful perspective on the tensions and contradictions that mixed race women had to inhabit in the 1930s as they tried to reconcile themselves with both sides of their heritage.[2]

Passing (1929)

Link to text: Passing

This Pressbooks version of Passing comes from the Hathi Trust edition of the work found at https://hdl.handle.net/2027/miun.aat2524.0001.001. It was uploaded to Pressbooks by the English 203 OER Committee at Texas A&M University in 2023. The citation for the HathiTrust edition is as follows:

Larsen, Nella. Passing. New York & London: Alfred A. Knopf, 1929. HathiTrust, https://hdl.handle.net/2027/miun.aat2524.0001.001.

HathiTrust has determined that this work is in the public domain in the United States of America.

 

Part One: Encounter

In Part One, we are introduced to our protagonists, Irene Redfield and Clare Kendry, two women of mixed race who can pass for white. The two meet by chance at an upscale hotel in Chicago after many years apart. After establishing their connection, Clare invites Irene and her friend Gertrude, another woman who passes for white, to come visit her at her home. During the visit, Irene and Gertrude meet Clare’s white husband, who teasingly addresses his wife using a racial slur and expresses his dislike for Black people. It becomes clear that Clare’s husband is very racist and that he does not realize that Clare and her friends have Black ancestry. Irene and Gertrude, who both identify as Black, feel insulted and upset by the encounter and are both angry at Clare for exposing them to these racist remarks and afraid for her safety. Irene decides she doesn’t want to remain Clare’s friend, and when Clare sends her a letter thanking her for her visit, Irene tears it up and throws it away.

Passing Part One Questions and Activities for Further Analysis

  1. Why is Clare so eager to renew her contact with Irene?
  2. Conversely, why does Irene feel so strongly that she does not like Clare? And why, given her dislike, does she agree to meet Clare anyway?
  3. In 1929, when this book was written, Black people were not welcome at fancy hotels like the Drayton, even though Chicago did not have explicit Jim Crow laws in place. In the scene at the hotel, both Clare and Irene are passing for White. Compare and contrast how Irene feels about passing for white with how Clare appears to feel.
  4. Why does Clare put up with her racist husband, and why do you think she invites Black friends to come meet him, knowing his views and what he would be likely to say?

Context: The Epigraph. Passing (1929) has an epigraph at the beginning, an excerpt from a poem by Countée Cullen entitled “Heritage” that was written in 1925. Read the full text of the poem, linked here: https://poets.org/poem/heritage-0. Why do you think Larsen chose this quote to open her novel?

Part Two: Re-Encounter

In Part Two, Irene reads a second letter from Clare in which Clare states that she misses spending time with Black people and wants to rekindle her friendship with Irene. Irene doesn’t want to see Clare again, and when she tells her husband about their last encounter, he agrees. However, when Irene doesn’t reply to the letter, Clare comes to visit her. During their conversation, Irene mentions that she will be attending a dance for the Negro Welfare League, and Clare convinces Irene to let her attend. Clare makes an impression on everyone at the dance with her charm and good looks, and she soon starts attending events regularly whenever her husband is out of town.

Passing Part Two Questions and Activities for Further Analysis

  1. Compare and contrast Clare’s and Irene’s marriages. Neither of them is perfect. What do these two marriages have in common, and how do Clare’s and Irene’s mixed race backgrounds factor into the issues in their marriages?
  2. Clare says, “I think that being a mother is the cruellest thing in the world.” What does she mean and why does Irene agree with her? In the world of the story, is being a mother more cruel for women who can pass as white than it is for women who are clearly one race or another?
  3. There’s a lot of chemistry between Clare and Irene. Why are they so attracted to each other, and why is that attraction mixed with repulsion for Irene?
  4. Context: The Harlem Renaissance and the New Negro. In Part Two, we’re introduced to the world of Black high society and a circle of artists and thinkers that resembles the Harlem Renaissance movement, of which Nella Larsen was a part. During the 1920s, African Americans in Harlem were experiencing a degree of freedom and prosperity that had been impossible for them to achieve before because of slavery and other restrictions on their rights. The art and literature of the Harlem Renaissance were characterized by a desire to be taken seriously by mainstream American society while not sacrificing Black identity or conforming to the conventions of White society. Check out this online resource for a look at some of the visual art from this time period: https://www.nga.gov/learn/teachers/lessons-activities/uncovering-america/harlem-renaissance.html

Consider how Clare and Irene inhabit this world. Where does Larsen locate her two mixed race protagonists in this movement? How do they fit in, and how do they struggle to find their respective places?

Part Three: Finale

In Part Three, Irene begins to feel estranged from her husband Brian and starts to suspect that he may be having an affair with Clare. Later, she meets Clare’s husband John while walking with a Black friend who does not pass for white. John recognizes Irene and tries to greet her, but when he connects the dots and realizes that Irene, too, is Black, he frowns, and Irene rejects his greeting. Irene isn’t sure whether or not to tell Clare about the meeting; she doesn’t want Clare and John to divorce because she fears what will happen to her own marriage if Clare becomes single and Brian prefers Clare. Later, Irene and Clare both go to the same party. John figures out the truth about Clare’s race. He comes to the party and starts to cause a scene. In the confusion, Clare falls from the window and dies. Irene isn’t sure whether or not she pushed her.

Passing Part Three Questions and Activities for Further Analysis

  1. Why does Irene think Brian and Clare are having an affair? Do you think she’s correct, or is she an unreliable narrator?
  2. Throughout the story, Clare has been portrayed as extremely attractive. How does her attractiveness help her, and how does it hurt her?
  3. Often writers will kill characters symbolically in order to resolve the conflict that these characters represent in the story. This novel is entitled Passing, and Clare is the character who has made passing as White a central part of her life. How does killing Clare help Larsen to resolve the discussion this novel is having about passing?
  4. Is Clare being punished, and if so, what for? Moreover, who is doing the punishing? Irene, Larsen, Society, or something/someone else?
  5. Do you think Irene pushed Clare?
    1. If Irene did push Clare, what does it mean for the story’s message about passing that the woman who chooses not to pass as White kills the woman who does?
    2. If Irene didn’t push Clare, what does it mean for the story’s message that she can’t be sure whether or not it was her fault?

Attribution:

Thielman, Frances. “Novella: Spotlight on Nella Larsen and Passing.” In Surface and Subtext: Literature, Research, Writing. 3rd ed. Edited by Claire Carly-Miles, Sarah LeMire, Kathy Christie Anders, Nicole Hagstrom-Schmidt, R. Paul Cooper, and Matt McKinney. College Station: Texas A&M University, 2024. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

 


  1. George, Hutchinson, In Search of Nella Larsen: A Biography of the Color Line (Belknap Press, 2006), 63.
  2. Emily Bernard, “Introduction,” in Passing (New York: Penguin Books, 2018), vii-xxiv; Thadious M. Davis, "Nella Larsen (13 April 1891-30 March 1964)," in Afro-American Writers From the Harlem Renaissance to 1940, eds. Trudier Harris-Lopez and Thadious M. Davis (1987), 182-192, vol. 51, Gale Dictionary of Literary Biography, accessed May 5, 2022.

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4.6--Spotlight on Nella Larsen and Passing Copyright © 2024 by Frances Thielman is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.